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Between Worlds features aspects of Surrealism and postmodern experimentalism. In many respects, it is evocative of the works of David Lynch,[9] especially the TV series Twin Peaks. Like Twin Peaks, the film features other realms or spirit worlds, dreamlike sequences, aspects of grotesque comedy, a score reminiscent of that of Twin Peaks (which was partly composed by long-time Lynch composer Angelo Badalamenti[10]) and a seductive but fragile teenage girl at the heart of the plot. Between Worlds also uses experimental camera angles and editing techniques as well as aspects of meta-fiction, for example breaking the fourth wall in a scene in which Joe reads from a book titled “Memories by Nicolas Cage.” The character of Joe also seems to allude to a range of previous roles played by Cage, including Alabama native Cameron Poe from Con Air, snakeskin leather aficionado Sailor Ripley from Lynch's Wild at Heart and chain-smoking hobby arsonist Johnny Blaze from Ghost Rider, thus pointing to the larger Nicolas Cage movie metaverse.
Central themes include the idea of the afterlife, grief, trauma, parent-child relationships, feminist psychoanalytic theory, metaphysics, epistemology, shamanism and the decline of the American working class under contemporary neoliberalism.
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